What's up in the new year?

Back in 2012, Kensington Publishing Corporation published my very first novel, Dracula's Secret.

And by Halloween 2016, I will re-release Dracula's Secret (and the rest of the Blood Wings trilogy, too), revised, re-edited, and resuscitated.

To get myself back in the mood for Valerie Tate and her wacky hi-jinks, here are some of the photos I used for character references.

The Coat.

Valerie and her dragon coat. I love her strong nose and her ability to admit her vanity.

I really enjoyed writing such a dark leading lady. I wonder what this revision will reveal about her.

Those lips could light my way any day.

Daniel Craig and his beautiful mouth were the inspirations for Lance Soleil.

I wanted a story where the hero was the light bringer to the heroine. She needed redemption and he was the one to show her the rest of the way.

Let us not forget The Car.

And of course, Ilona, Valerie's Shelby Mustang. What hot, dangerous woman doesn't own a bad-ass car? (by contrast, I own a Prius)

Idea to Story, Part Two.

Previously, in Idea to Story,  I talked about Dr. Snickerdoodle and the tales of his youth.

Now I have an idea about a young man who cared very little for others feelings, a bully who possessed sheer animal magnetism. One of those people you just know that their comeuppance will be an ugly, ugly experience.

This begins the first draft. The first draft is about getting the basics out of your head. For most writers, the first draft includes notes, photographs or drawings of the characters, and the framework of where you want to go.

I do most of my brainstorming and first drafting by hand. Everyone is different, of course. Some writers can do it all on the keyboard.

I like handwriting since it gives me a chance to scratch things out, doodle, and go in multiple directions without worrying too much about making sense. The idea is to explore the limits of the idea. Is is a short story or full length novel? What is the setting like? Who the heck are these people??

I set my pen to paper and let it flow forth without thinking too much. Once I start thinking, I get uptight about what the story needs - setting, description, strong active verbs, shorter sentences here, longer sentences there, blah, blah, blah, you know the rest.

That comes in the second draft phase.

The first draft is about experimenting. Do what you need to do to free yourself. Go to the library or a coffee shop or the local playground or bird sanctuary or zoo or whatever and play with the idea.

And that messy, joyous, crazy, unorganized piece of weirdness is your first draft.