It's a rainy Friday and I feel....

 

Courting the Chippendale's dancers.

Last week, I did something I'd wanted to do since I was in high school:

I saw the Chippendales show!!

Me and the boys. Aren't they wonderful sports?

 The venue was at the Rio Casino in Las Vegas. What a group of talented men - they can sing, they can dance, they can make taking off a pair of gloves incredibly sexy.

I asked their dance captain if  I could interview him. Of course, the Chippendales are an internationally renowned dance troupe, and I'm a romance writer, but I really want to know their opinions on a number of subjects. Here are the questions I came up with before (and after) the show.

1. Chippendales has been at the forefront of women's sexual liberation since 1979. How have the shows and the fantasies changed? What remains the same?

2. What three pieces of advice would you give to men to be more confident in their sexuality?

3. Quite frankly, the men of Chippendales know how to work in front of a camera. Can you share the secrets of how to pose??

Karim Nagi lesson sample: "Maqam and Taqsim for Dancers"

And now, a literal taqsim, shown here in Karim Nagi's teaching video. :)

Rolling with it.

Photo by Michael Baxter.

In Belly Dance, there is a section of the music called the "Taqsim". It is a Turkish word meaning "Solo" or "Solo action".

For a taqsim, the music is completely improvised, much like a live jazz solo. This means the dancer completely improvises as well. She has no idea what will come at her next. When the dancer and the musician are connected, it becomes an intimate and profound performance that binds the spectators, the band, and the dancer together.

The solo/taqsim is often a slow piece of music (but it does not have to be!). When the dancer moves slowly, we can see every thought, every impulse for her actions.

It is hypnotic, peaceful, and strong.

Going slow in writing creates this same sense of wonder. Writers can get so caught up in page count, word count, number of submissions in this quarter- anything that is quantifiable, really.

In this time of hibernation, racing from plot point to plot point can create anxiety. Go slow. Dig deep. Show us your passion.

A little something for your Monday

Some singing and dancing Meryl Streep!

And if the video doesn't work, here's the link.
https://www.youtube.com/watch?v=juTRRspWUqM

Working for a Living: Women in the Arts III

Today's Woman in the Arts is Master Dancer, Saqra of Kent, Washington.


Voted "Best Kept Secret of 2005" and "Instructor of the Year 2008" by Zaghareet Magazine, Saqra has over thirty years of experience as a teacher, choreographer, and festival producer. The depth and breadth of her knowledge on Middle Easter dance history and folklore is unmatched.

1.    What is the name of your business and what do you tell other people you do? (such as author, teacher, designer)

Saqra -- Bellydance Performer & Instructor

2.    When did you know it was time to stop treating your art as a hobby and start it as a career?

I treated it like a career from the beginning, but I found it necessary to run two full-time businesses at the same time to be able to afford to do it.

3. What are some of the aspects of your job that people don’t see? For example, most people don’t understand how much marketing is done by the authors themselves instead of a publisher, and most audience members don’t see how costumes and props are designed/chosen.

The constant networking, glad handing, playing nice, and doing your best to be friendly to absolutely everyone no matter your mood or beliefs ... people definitely don't see that. They can guess at the practice... creating performances from costuming to execution... junk like accounting, but they never realize how important it is to network.

A decent dancer with a great network will stomp the heck out of a magnificent dancer without one, career-wise.

4. Who inspired/inspires you on those inevitable rough days?

Jim Beam. Totally KIDDING!

I really just dig deep.... I know I made this bed so I better get my butt out of it and do something. I CHOSE this. But my family was in business and I've been around small businesses all my life. You can waste a little bit of time whining, but then you have to go do something about what you are complaining about.

It would be nice to have someone to look up to and be inspired, but most of the people I know have eventually given up. My stubbornness makes me get up and look at what other are doing and try and out-think them.

  This question is a chance to meander or talk in greater depth if you’d like. Here you can talk about what hobbies you pursue, how you refresh your well of ideas, what you would recommend to other women interested in a career in the arts, or just anything you'd like other people to know.

If you want a career in the arts you better be ready to not be constantly praised, appreciated, considered the best, or wealthy. You better be ready to be criticized because the value of the arts are subjective. And around the corner is someone with a chip on their shoulder and the belief that only their way is the right one.

A career in the arts is not a place for sissies... or for people who are just feeling compelled to express themselves. A career is a BUSINESS.

Working for a living: Women in the Arts, II

Today's guest is Grace Constantine, dancer, author, landscape architect, and all around amazing person. Please welcome Grace!

1.What is the name of your business and what do you tell other people you do? 
(such as author, teacher, designer)

I'm Grace Constantine, belly dance performer and teacher, and director of 
theatrical fusion troupe Deviant Dance Company.

2.When did you know it was time to stop treating your art as a hobby and start 
it as a career?

I have no idea, I just woke up one day and I was a belly dancer! For me there 
has not been much of a difference between hobby and career. Dance has always 
been more than a hobby to me, it has been a deeply important part of my spirit 
since I was a child, and even as a hobbyist I approached my projects with a 
professional level of care. Early on, I made the conscious decision not to 
pursue a living with this artform. I did not want my creative process to be 
affected by the need to support myself on a daily basis--essentially, I wanted 
my life in dance to be pure joy, to remain unsullied by monetary concern. 
However, my interest and passion has only grown as years have gone by; 
eventually I spent so much time and energy that I suppose a career became 
inevitable, and so here I am.

3.What are some of the aspects of your job that people don’t see? For example, 
most people don’t understand how much marketing is done by the authors 
themselves instead of a publisher, and most audience members don’t see how 
costumes and props are designed/chosen.

Probably most folks have no understanding of how much time in the weeks or 
months before an event goes into working out logistics with event promoters, 
venues, musicians, lighting, staging, etc. to make sure that everything comes 
together for the audience. I spend a good deal of time every day communicating 
about these things. Every event is unique, and many have very different needs. I 
often work with live musicians, and this adds another needed element of 
communication. Many events have a theme, or a specific audience that requires a 
certain type of performance. Behind-the-scenes concerns also include marketing, 
rehearsal scheduling and arrangements, travel plans for out-of-town events, and 
negotiating contracts. This is all before I get to create lesson plans and 
workshop content; train in the studio; teach classes; and finally design 
performances. Phew!

4.Who inspired/inspires you on those inevitable rough days?

My brilliant students: every time they encounter something new and pick it up as 
if they've always known it, it inspires and re-ignites me! My endlessly talented 
troupemates: they always say 'yes' to my crazy schemes, and then build on them! 
My darling husband: he is always ready with a hug, and makes sure that I eat 
good food, even when I am obsessed with a project!

5.Name a few of your current projects. For example, conferences, publicity, 
design process, what you have for sale.

This month I taught and performed at Columbia University's Middle Eastern Dance Conference--talk about inspiring! My troupe Deviant Dance Company recently added a new member, and we are creating a new piece called 'Song of the Tentacle' to be released in February. Also in February I will be sharing the stage with the Bellydance Superstars when they come to Seattle. I am writing a regular column on the creative process for the new belly dance magazine 'From the Hip', and I am enjoying writing very much. As always, I am teaching a full complement of one-on-one lessons, and planning workshops for the new year.

6. (OPTIONAL)This question is a chance to meander or talk in greater depth if 
you’d like. Here you can talk about what hobbies you pursue, how you refresh 
your well of ideas, what you would recommend to other women interested in a 
career in the arts, or just anything you'd like other people to know.

Advice to women interested in a career in the arts: don't do what everybody else 
is doing. Play! Experiment to find out what you are good at and what you enjoy, 
and explore those things deeply. This is how you will find your strength.

Grace Constantine
www.graceconstantine.com 
www.facebook.com/constantine.grace 

NEWS:
--Latest performance video--Grace at Salon L'Orient 2012:
http://youtu.be/uORzw7QUi58 


--Grace is a staff writer for the brand new 'From the Hip' Magazine!
www.newsfromthehip.com