Have you met Bec McMaster?

 Let me introduce you to one of my favorite authors, the brilliant Bec McMaster. I met Bec at the Romance Writers of America conference in San Diego, then she graciously allowed me to hang with her at the Romance Writers of Australia conference in Melbourne in 2019. I'm nuts for her books...and I think you should be too.

Want to know a little bit about Bec? Here is my interview with her.

 

1.     Tell me a little about your writing - what are your favorite themes, what keeps you coming back to the page?

Hey Linda. I write epic fantasy romances with a dark and sexy twist, and I’m addicted to anti-heroes and villains-turned-heroes. I love trying to work out what makes such a hero tick, and anything with a marriage-of-convenience, enemies-to-lovers, villain-turned-hero trope is like catnip for me. Combined? Utter perfection. They’re the stories that pour out of me. 

2. Who are your writing influences? 

Ooh, interesting. I think a lot of my writing was influenced during my teen years when all I read was fantasy. I adored the strong female characters in Robin Hobb’s and Melanie Rawn’s books, but there was often something missing in the majority of fantasy that I read…. I binge read Katharine Kerr’s Deverry series for any glimpses of Rhodry and Jill, and I am still desperate to know about the ending of Melanie Rawn’s Ruins of Ambrai series for more Sarra/Collan moments. I cried buckets over the lack of HEA’s in fantasy (and basically rewrote the endings in my head). But it was probably me finding Anne Bishop’s Black Jewels series that really influenced me. 

Daemon Sadi, Lucivar Yaslana and Saetan Sa’Diablo? The sex appeal was off the charts, and combined with strong female characters like Surreal, I was in bliss. This. This was what I wanted more of. Unfortunately, paranormal romance and fantasy romance was still a ways off, so I had to start creating my own, but Anne Bishop was a massive formative influence. 

3. You just released Thief of Dreams (loved it!) in the Court of Dreams series.  What was the seed of inspiration for this amazing, creative series?

I’d been asked to write a novella for an anthology back in 2019, and I was watching The Bachelor, running ideas through my head, when some of the bachelorettes were playing games with each other. And I was thinking: Wouldn’t it be interesting if one of the bachelorettes was killing off the competition? I laughed under my breath, and then this fully fleshed idea dropped into my head. A fae prince. A bride summons. Competing fae princesses all desperate for his hand. Someone killing off her rivals. And my heroine, using the opportunity to sneak into his court to steal a powerful relic.
 
The cream on the cake? Zemira doesn’t WANT to capture Keir’s attention. So of course, he wants the one girl he can’t have. It was one of the most enjoyable stories I’ve ever written. 

4. What is the hardest part of creating? 

I read something just recently about how your brain always wants to go flirt with the shiny, new idea beckoning just out of distance, when no, you actually need to finish THIS book. Jennifer Probst likened writing a book to being in a marriage—it was a fun affair when it was a new idea, but now you actually have to put in the work, go through the nitty gritty, maybe work through the not-so-fun stuff…. And this really hit me, because I think all writers suffer a little bit from this. So for me, the hardest part is definitely forcing myself to focus on one WIP, and not go off cheating with one or three others. 

I tend to use it as a reward now. If I hit my daily word goal, then I can go delve into that shiny, new idea. 

5. What is the best advice you have ever received? 

This is life advice from my mum: If you hit a brick wall in your life, then you need to figure out a way to go through it, around it, over it, under it, but don’t let it stop you when you really want something. 

6. And what is the best compliment you have received? 

I had a woman email me to say that her mother was dying of stage four cancer, and while she was in the palliative ward, she read one of my books out loud to her mother. It was a way to escape what she was going through, a way to bond with her mother, to bring some moments of happiness (that HEA) into both their lives. That really hit me, because this is why I write fantasy romance. I want to provide an escape for my readers. I want to deliver that HEA at the end, so it puts a smile on their faces. 

4. Tell me some of your current projects- Your works in progress, ideas, or any crazy, off the wall things.

I’m currently working on book three of my Dark Court Rising series. It’s a fae twist on the Hades/Persephone myth, in which my heroine is bartered away by her mother to an enemy prince for three months as part of a peace treaty. Her mother wants her to kill him, but the more Vi sees of Thiago, the more she can’t help falling for him…. And of course, there is a lot more to the story that she doesn’t realize….

 

Why I write romance.

I come from a family of irritating overachievers. My father (Dr. Dad) has a Ph.D. My older brother (Dr. Bro) has a PhD and two post-doctoral degrees. Dr. Sister had a PhD (of course) and full tenure at a prestigious private collage.

My Mom had a Master's degree. My step-mother has a Master's as well. 

I'm the black sheep. I stopped after two Master's degrees (BA and MA in history, specializing in international relationships between Safavid Persia and Europe, and a MS in Library and Information Science).

So what called me to fiction?

Yes, we have silly covers.

Especially to romance, the most denigrated of genres? And even worse, what drives me to write sexually explicit novels? It would be much more comfortable to write something respectable, like literary novels.

This is why.

Romance is the most important genre of all fiction.

Our covers might be silly, but they beat this bullshit.

In romance novels, a woman will have an adventure, be she a kick-ass, special-ops sort or a sheltered Regency debutant. She will not be sacrificed to further a man's story (Women in Refrigerators, anyone?) 

What about the loss of this fabulous character in Skyfall?

The world hinges on sexual politics. Romance is also the only genre that creates a new framework the most deadly of all adventures for women - that of an intimate relationship with a man.

Romance is the only genre where a woman will live all the way through the story and have an arc of her own. It is the only genre will the woman will win.

No other popular media takes on the fundamental fear of half of the world's population. It is a brave genre filled with brave characters and brave writers.
 

And that is why I write romance.

Sex, Writing, and the Importance of Romance!

Come on over to Nicole Antoinette Armstrong's Podcast!

We talk about Sex, Writing, and the Importance of Romance!
https://www.nicoleantoinette.com/podcast/linda-mercury/

Inspiration! Perspiration!

Yul Brynner. Hellllllo!

Some days, a romance writer just has to go through pictures of handsome men. Romance novels are one of the few place that women can safely and unashamedly enjoy the male form, so I'd better be able to write about men in a clear and vivid manner!

Here are some of my favorite men for inspiration.


Who are some of your favorite men to admire?

Dolph Lundgren.

Oh, and another Yul, just for fun.

Vamping It Up Cover reveal!

Do you want to see the cover for my new novella? I said, DO YOU WANT TO SEE THE COVER FOR MY NEW NOVELLA????
 
Well, since you insist. ;)
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When half-vampire Holly Barros’s fiancé dumps her via text, she knows she’s gotta do something new with her life. Her glamorous great-aunt, vampire Celeste Barros, states that the girl needs a vacation, and how!

Celeste flies Holly from Seattle to Las Vegas, where she discovers the real meaning of Sin City. The Strip is full of sexy men, eager to tempt and please the broken-hearted young woman. 

Can Holly find out who she wants to be, vampire or human, in the midst of the whirl of Nevada? She’s willing and ready to find out!

 

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Holly will be released on the world soon!

Women in the Arts: Maggie Jaimeson

I have known Maggie Jaimeson for many years before our New Year's Resolution blog tour at the beginning of the year, but I really enjoyed getting to know her better. So you bet I was excited when she said she would answer my interview questions!


What do you tell people you do?
I tell them I’m a novelist.  This is something new for me. Though I’ve been writing novels for publication for almost 10 years now, until recently I referred to myself as an Academic (professor, instructional designer, or administrator depending on the time in my career). In October 2012, I decided it was time to “retire” and do what I’ve wanted to do for 30 years—write full time.  I do occasionally take on an educational consulting gig when the write opportunity comes up. But now I consider myself a full time writer.
 

When did you know it was time to stop treating your art as a hobby and start it as a career?

  Prior to that I had written and sold short stories, the occasional poem or essay, off and on since the late 1970’s.  I did write two novels during that time, but never submitted them or felt they were good enough to submit.  But when I turned 50 I realized that if I was going to become a full-time writer I better get cracking, because who knows how much time I would have left in my life. Seven years later, with six novels completed, I sold my first novel to a small press. 

What are some of the aspects of your job that people don’t see? For example, most people don’t understand how much marketing is done by the authors themselves instead of a publisher, and most audience members don’t see how costumes and props are designed/chosen.

 

The thing I believe most people don’t see is the amount of editing, re-writing, re-thinking, re-editing that authors do.  Most people seem to think that an author writes a story from beginning to end then goes back over it once or twice and sends it out for publication.  I wish it were that easy.   

Once the first draft of a novel is completed, the writer usually goes through an editing process which may have her editing the entire book five, six, or even fifteen more times before it is published. I wrote a guest post on this titled How Deep Editing Changes Everything.

Name a few of your current projects. For example, conferences, publicity, design process, what you have for sale.

On the writing side, I am branching out to Young Adult fantasy. I have completed 1-1/2 books in a seven book series that I’ll start shopping when the second book is done. I’ll still be continuing my romance series with Sweetwater Canyon book 3, Heartstrings, and book 4, Two Voices, scheduled to publish this year. I’m also considering how to continue my two suspense books. I wrote them with series potential and I’m evaluating when and how I want to pursue that.

This question is a chance to meander or talk in greater depth if you’d like. Here you can talk about what hobbies you pursue, how you refresh your well of ideas, what you would recommend to other women interested in a career in the arts.

I do have three recommendations for women, and men, who are interested in a career in the arts. The first is, only pursue a career in the arts if you can’t do anything else. If you can find another career and still be happy, then don’t choose the arts as a career.  Keep it as a hobby. To pursue a career in the arts requires full commitment. This means it is something you HAVE to do, not just something you want to do. It means that doing anything else would be useless because you would always be thinking of your art and how to get back to it.

The second recommendation relates to the first. It is okay to choose a career other than the arts and then change your mind.  The type of commitment the arts require may be a commitment that you are unable to make when you are young. That was the case for me. Don’t worry, if it calls to you enough, you can still have that career later in life.  Choose art only when you can truly commit.

The final and most important recommendation is:  Believe in Yourself!  It is the hardest thing to do, but the most important. Whether it’s writing, painting, sculpture, dance, or theater, you are judged on the product you produce. For most people that critical judgment is the most difficult part of art because art, in my opinion, requires you to share something of yourself in a most intimate way. When we are judged on our art, we can’t help but take it personally.

To survive a career in the arts you must believe that what you are producing is the best it can possibly be at that moment when it’s released to the world.  This is not to say that what you produce is perfect.  It is also not to suggest that you should never listen to feedback.  But it is belief in yourself and your work—belief that your point-of-view is important—that allows you to accurately filter feedback and reject that which doesn’t fit with your direction. If you don’t believe in yourself and your point-of-view, you will fall into the quagmire of competing views that can only end in defeat.

A career in the arts is not easy. Most often it is not very financially rewarding. However, the intrinsic rewards are limitless. What you learn about yourself, and your relationship to the world beyond yourself, is never-ending. For me, that is the reason to pursue a career in the arts.  I will always be learning, and therefore I am living life to its fullest.


Find  Maggie on the web: Website | Goodreads | Facebook | Twitter

YES!

Dracula's Secret, the first book in the Blood Wings series, is available for pre-order again!

It will be released July 19th, 2012.

I guess it wasn't delayed all that long!

I can't stop dancing!

The coolest thing about writing?

Is the odd-ball stuff my brain throws at me.

I've had this beginning rolling around in my head for a while:

“Get a load of her,” a man’s appreciative voice came across the bar.

Rod Wachowska looked up at the entrance of the club. And trouble brought all his carefully constructed fictions tumbling down.

Rachel Albin stood in the doorway, her black tuxedo jacket cut to her navel and her skirt up to her butt cheeks. And just like he had twenty years ago in high school, Rod got a present in his pants.

And from here I have some vague ideas about a reckless woman with a secret deathwish and the By-The-Book man who yearns for her. 

Back in the saddle. Again.

So while I'm engaging in my massive revisions, it's time to revisit my previously posted Twilight series.

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Ok, back to In Defense of Twilight, even though I hate it: Part Three.

As you may or may not know, I have a degree in Library and Information Science. Save the Dewey Decimal jokes - I've heard them all. We're going into the jungle of literary criticism today.

Library school gives you amazing perspective on popular culture. The criticisms aimed at Twilight for being misleading, wrong-headed, and a bad example to our youth have been fired at writing as far ranging as Harry Potter to E. B. White to the Hardy Boys/Nancy Drew to Tom Swift.

Yes, I'm serious.

Literary critics used to claim that reading these kinds of books as akin to feeding your child poison. After all, children are weak minded, you know. Now remember that women are told the same things about their reading choices.

To all the people who tell me that Twilight is going to tell women to fall for a gross, stalkery freak, I have one thing to say.

Women are not stupid.

Could it be possible that females are perfectly capable of discerning the difference between fantasy and reality??

When a young woman makes a poor choice in a mate, the example she's using comes from up close and personal observation of adults around her.

Not fictional characters.

If we honestly thought that women yearned for maltreatment, why don't we believe that every man reading a James Bond novel yearns to be shot, stabbed, tossed out of airplanes, dunked in arctic ice cold water, and have no emotional life to speak of?

Of course that is ridiculous - because we don't think men are stupid.

Why should we think our girls are stupid, impressionable, and helpless? Reading about Waif Bella does not turn a girl into a passive Waif. Reading about James Bond, the man with no sense of self-preservation, does not make a boy into a moron who thinks that getting shot is just business as usual.

Twilight (and romance) is popular because girls and women know it is fantasy. They get to experience what it is like to be passive Bella, or pretend they are dangerous Edward (more on that next time), or even learn how very wet the Pacific Northwest is.

What would the world look like if we believed that women were smart?

Current Shenanigans

This is what I've been working on lately.

I broke down each chapter into its component scenes, figured the date/time, whose POV is the scene in, a one line description of the scene, and the page number.

I think I'm making good progress - especially in cutting the parts that take away from the main story and making what I've got more exciting and focused.

Wish me luck!

Repost: In Defense of Twilight even though I don't like it much.

I feel the urge to repost some of my favorite articles here from my blog. Here we go with my series on Twilight by Stephanie Meyers.
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I have a lot of legitimate criticisms of Twilight. I read the first book, and never even tried any of the sequels. I have a strong disdain for passive heroines, and Bella is about as passive as it gets.

However, this is not about my baggage. It's about what makes this series resonate with so many people.

Let's talk about one aspect of Bella's passivity - namely, that you don't have to do anything to be considered worthy of love. You just have to be you.

We all seek to earn love - we get good grades (or bad grades), keep a clean house, save money, wear the right clothes and the right perfume, know all the outrageous sex tips, try to read someone's mind....

You get the picture.

But Bella is the object of Edward's obsession merely by sitting around, sleeping, and smelling really really good- all on her own. No special powers, no twisting herself into something she's not for approval, no Cinderella-type makeover to make someone notice her.

How powerful and hopeful of a message is that?!

You. Don't. Have. To. Earn. Love.

It's a radical thought in a society that tells women how they need to act to 'get a man'.

Twilight isn't my cup of tea, but it beats The Rules any day of the week.

Jennifer Crusie rocks my socks.

For those who aren't familiar with the romance genre, a little back story.

Here's part of what Wikipedia says about Ms. Crusie:

Crusie was graduated from Wapakoneta High School, and then earned a bachelor's degree in Art Education from Bowling Green State University in Bowling Green, Ohio.^[1] She has two Master's degrees. For her first, from Wright State University in Professional Writing and Women's Literature,^[1] Crusie wrote a thesis on the role of women in mystery fiction.^[2] Her second master's degree is an MFA in Fiction from Ohio State University.^[1] She has also completed work towards a Ph.D. in feminist criticism and nineteenth century British and American literature at Ohio State University.

So we know we're dealing with a driven, intelligent woman who loves romance and who can discourse intelligently on the themes and motifs of romance fiction. On her website, Ms. Crusie discusses her writing process and analysis of genre fiction.


I have to recommend this one, if only cheer about someone mentioning V. Propp's and Claud Levi-Strauss' theories on literature and myth.

This Is Not Your Mother's Cinderella: The Romance Novel as Feminist Fairy Tale.