Tag, I'm it.

C. Morgan Kennedy insisted I talk about writing. The nerve!

Here are the questions she wanted answered:

 What are you working on? 
 How does your work differ from others of its genre? 
 Why do you write what you write? 
 How does your writing process work? 

1. I am working on an erotic coming of age novella, tentatively titled "Auntie Vamp." I'm finished with the first draft, half way through the second draft, and I should have the third draft done by March 17th. Auntie Vamp herself is based on Mae West and she shepherds her great-niece Holly into discovering her true strength. 

 2. My work differs because I write woman-centric pleasure, with no coercion and no "bargains" of sex in exchange for something.  My heroine doesn't cook or clean and she wants a life in paranormal politics.

3. I write explicit, complicated stories because I despise books that fear women's sexual and personal power. A woman should be able to name her desires, both sexual and intellectual.

4. I flail a lot.  I hand write my brainstorming, plotting, and tricky scenes. I do have a loose outline at the beginning of the process, but it always goes off the rails by the middle of the first draft.

Thanks, C. Morgan!

Monster Mash.

Welcome to my very first blog post, from February, 2009!!


Hello, world, and welcome to Linda Mercury's Blog!

Today's topic is Monster Movies. How curious is it that a woman who loves to write vampire novels doesn't watch monster movies?

I made up for lost time this week, though, by watching The Mummy (1999), The Mummy Returns (2001), and Nosferatu (1922) all in one week.

What exactly does a novelist take from watching movies? This novelist, at least, takes the importance of setting, body language, and story structure. How do they keep the pace going or not going? How do the film makers create a sense of anticipation and danger? Can I identify the story arc for each character? How can I translate an action scene into words? What little things 'make' each shot special? What makes a character sympathetic?

But most importantly, I get images of really hot men. I confess, I now have pictures of Arnold Vosloo and Oded Fehr pinned above my writing desk. Their physicality and charisma definitely have inspired me to write a much hotter hero than before.

 

Noferatu was a different proposition. Dracula's Secret explores facets of the Dracula myth and as such, I figure I'd better watch some of vampire classics. The print I rented through Netflix had the most distracting music I'd ever experienced in a silent film. Something about cheerful string arpeggios when Count Orlok is being his creepiest just really killed the experience. I turned the sound off and enjoyed the film that way.

What did I learn from Nosferatu? The importance of soundtrack! Listening to frothy, uptempo music when I'm writing something frightening or even sexy is self-defeating, to say the least.

What monster movies do you like? What do you get from them?