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Friday, February 18, 2011

Mating rituals.

I love the modern ritual of meeting people for coffee. It's the perfect way to test the waters, to see if you and another person are at least on the same page for relationship interests. As romance writers, we often throw our hero and heroine together under really crazy circumstances. I always like the, "If you want to live, come with me!" sort of introductions in books. Gets the chemistry going in a big way.

But there has to be a way to write the coffee date to be just as wild, crazy, and risky as the high speed run in a growly muscle car.

I sense a writing exercise! If you  write a coffee date that feels high flying, I'll do it, too.

Thursday, February 17, 2011

Taking a break.

I've been doing some heavy duty writing about archetypes. Today, I decided to talk about my wonderful day yesterday.



I got to spend an afternoon with a dear girl friend who is always working, so this was a rare treat. We hung out in her hot tub, drank champagne, slathered ourselves with lotion, and talked about everything, including sex. Some people get uncomfortable with such intimate discussions, but I am always fascinated and delighted with them.

It's when people are the most likely to share their deepest emotions. It's when our pasts and our presents come together (no pun intended) to reveal what we most need in our lives.

I always want to honor those brave enough to share their secrets with me. I want to take their bravery and vulnerability into my office to inspire not just my love scenes, but also the limits of human courage - the very soul of what makes fiction important.

I had great writing day today. How about you?

Tuesday, February 15, 2011

Give-away!

Titled, "Green Flash"
A brand-new hand painted fan, signed and delivered to you.

Today, you get to guess the movie quotes. Be the first person to name the movie, and win this lovely!

Quote 1.
"This is just so shocking. I mean I must just be so monumentally naive."


Was that too hard for you? I'm such a sweetie, I'll give you a second clue!


Quote 2. 
":Shut up, Mr. Burton! You are not brought upon this world to get it!"

Story Basics Part IV: The Threshold Guardian

Fu dogs are an excellent example of Threshold Guardians.

One of my favorite archetypes is the Threshold Guardian. The Guardian serves as a challenge to the hero, a test for her to prove her worthiness and her resolve to continue her course of action.

In both real life and in a story, the Threshold Guardian
represents the ordinary obstacles we all face in the world around us: bad weather, bad luck, prejudice, oppression, or hostile people....But on a deeper psychological level, they stand for our internal demons; the neuroses, emotional scars, vices, dependencies, and self limitations that hold back our growth and progress. It seems that every time you try to make a major change in your life, these inner demons rise up to their full force, not necessarily to stop you, but to test if you are really determined to accept the challenge of change. (Vogler, The Writer's Journey, p. 58)
In a story, the Guardian is the antagonist's head of security, the Sphinx and her riddle, the army of the Wicked Witch in the Wizard of OZ, bouncers, doormen, entrance exams. A hero and a person must learn how to deal with these tests. You can run, attack it head on, use deceit, bribe or appease the Guardian, or make an ally of them.

Again, Vogler:
Successful heroes learn to recognize Threshold Guardians not as threatening enemies, but as useful allies and early indicators that new power of success is coming. (p. 59)

Think of who or what has been a Threshold Guardian for you. How did this energy show you what you had to do?

Monday, February 14, 2011

Story Basics Part IV: Archetypes, not Straightjackets

A note as I go along with this series. The best way to think of an archetype is a role that a character plays, not as a description of who they are.

Some examples:

Obi-Wan Kenobi is considered the classic example of a Mentor. He shows Luke what he could be and how to get there.

But he does not stay in the Mentor all the time. The emotionally powerful scene where he confronts Darth Vader is created when he steps into the Hero role. He is moving the action in that scene, not merely instructing or demonstrating things to Luke. When a character shifts archetypes for a scene, the stakes go up. No matter how many times I see Star Wars, I cry when Obi-Wan is defeated in the light saber scene.  This intense emotional reaction comes from him changing his role in the movie.

A second reason to think of the archetype as a role and not a personal characteristic is this creates a fuller, more interesting character in your story. If your Mentor just sits around dispensing wisdom and pithy comments all the time, well....Ok, let's face it. That is boring.

If your character delves into a new archetype, they are suddenly deeper, truer, more emotionally resonant people. Don't think of archetypes as limiters.

They exist to liberate your creation.

Sunday, February 13, 2011

Thought provoking article from New Zealand.

What distinguishes discrimination against women from other forms of such reprehensible behaviour is that it is an integral, deliberate, and entrenched element in cultures and religions around the world and from time immemorial.
The New Zealand Herald.