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Tuesday, March 10, 2009

Some literature really does live up to its hype!

And so do some actors. :)

I fell in love with Shakespeare in high school when I discovered that he really was as good as everyone made him out to be. After all, Dickens didn't do much for me. Neither F. Scott Fitzgerald nor J.D. Salinger made me want to read everything they had read. But Shakespeare! *happy sigh*

Recently, I've discovered someone else who lived up to his hype. Marlon Brando.

As a Gen Xer, my main exposure to Marlon Brando was his post-Godfather work. I couldn't see what the critics were talking about. To a young child, he mumbled, shuffled, lumbered, and was basically was kind of disturbing. I didn't see what made him the rev
olutionary actor every critic raved about.

I saw Guys and Dolls a month ago (my love for over the top musicals came from my mother), and found my interest piqued by Brando.

This week, I watched Julius Caesar.

Here was the charisma and the boldness everyone raved about! His physical beauty surprised me (and boy, did the director show that off, over and over). No mumbling at all. Instead, his portrayal made Antony both passionate and deliberate, both heroic and manipulating. He dared to speak his lines with unexpected emphasis and rhythm.

I was smitten.

I expected the amazing performances from James Mason (one of my cinema idols), John Gielgud, and Louis Calhern. Delightfully, all of them brought their A-game. Instead of Brando dominating the screen, the entire cast brought out the best in each, James Mason, normally so cool and graceful, infused Brutus with a compassion and warmth I didn't expect. John Gielgud, always dignified, showed me an envious and grasping Cassius who was also entirely human.

I think I will have to base a book on these performances. Something unexpected and surprising and hopefully worthy of these, my literary and action idols.

I'm sure I will fail, but the trying alone will be worth every minute!

Wednesday, March 4, 2009

Good Rejection.

This weekend, I got a great rejection from Kensington.


What is a good rejection?

One where the editor or agent signs it him or herself. One where they give a feedback (a little or a lot) on what your writing needs to make it pop in this highly competitive field.

Something personalized.

And I got one!

So I'm excited to go back to Dracula's Secret and revise it again. No more fear! Time to pump up those stakes and heighten the drama.

I'll post more when I figure out how to do that. ;)