I'm always watching movies and reading books, trying to learn more about writing, structure, and what makes a story dazzling. I've been on a musical kick, seeing how the writers tied the music to the story, used it to advance the plot, or used it to reveal a character's innermost self.
In Silk Stockings, Cyd Charisse's solo dance with her lingerie clearly tells the viewer that here is a woman who is finally embracing her yearning for pleasure. It's one of the most tender and touching metaphors for female sexuality and orgasm that I've seen.
So from this movie, I learned how to engage a reader in more than just the motion of the ocean, but also the emotions of the motion, so to speak.
On the downside, I learned just how necessary character development is. In Pal Joey, Joey starts the movie with being run out of town by the police. Because he'd been pouring drinks for an underage girl in his hotel room. For some reason, this was considered funny back in 1957.
I was yucked out immediately. And I stayed yucked out, because Joey remained a complete dog. Kim Novak played a helpless innocent (another Waif on our hands!), and Rita Hayworth played a woman who actually owned her sexuality. Which means, of course, that she got dumped. Here's the trailer to get you started.
What I learned?
1. I need to pay attention to the mores of your time, and what is considered funny.
2. Sometimes, I just want to watch the movie for the musical numbers, and not the plot. Or the characters.
3. If I'm going to write a jerk or someone in need of redemption, I need to show some kind of reason why anyone would cheer for this louse.
In order to get this foul taste out of my mouth, I had to watch some Mae West movies. My Little Chickadee to the rescue.
Linda's Literary Lair! Books for the intelligent, sexy, and curious.
I have a response to this but it is very much of the form 'if I had more time this would have been shorter'. I'm going to share it via email. :)
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